Pussygutt - She Hid Behind Her Veil...

Genre: Drone Doom/Neo-Classical
Year: 2008

Droney doom with some violins.

Nox Inferi - Adverse Spheres

Genre: Black/Doom Metal
Year: 2008

Atmospheric Black/Doom with a dark ambient vibe.

Menace Ruine - The Die is Cast

Year: 2008
Genre: Drone Doom

Mesmerizing and destructive drone.

Nivathe - Enveloped in a Diseased Abyss

Genre: Black/Doom Metal
Year: 2008

Slow and torturous black/doom from the sick mind of Senthil.

Uaral - Sounds of Pain...

Year: 2005
Genre: Doom/Folk Metal

Sounds of Pain, the first full length from the Chilean duo, Uaral breaks the mold of what doom used to be known for. The album keeps a ceremonial, ritual-like atmosphere that at times reaches the edge of brilliancy. The use of simple, slow and melodic bases of piano and acoustic guitars, some flutes and a lot of different vocal elements going from subterranean grunts to nostalgic clean vocals give magic feelings and an everlasting presence of nature. Sounds of Pain tries to capture the essence of beauty, loss and despair and does so in a great way, making the listener a true accomplice of its dark and hidden emotions.

Öröm - 8

Year: 2006
Genre: Ambient/Doom Metal

Beatrìk - Requiem of December

Year: 2005
Genre: Black/Doom Metal

Hypnotic chiming and discordant guitar work is woven over the most basic drum lines, and topped with grimy jarring Varg-like barks. The songs are mainly mid-paced, and on average are roughly eight minutes long, although they do have the occasional blast-ridden section when the bile is fully raised, and the vocal department begins to sound as if desolation and despondency have been captured in corporeal form, transferred to aural format and been laid alongside a musical accompaniment. Let this not fool you into thinking that "Requiem of December" is not without its hugely placid moments too, as it has some really doom-laden passages with church bells tolling as an accompaniment, intertwined with melancholic acoustic guitar and church organ styled keyboards exuding the overall dark vibe of morbid sorrow. Just listen to track four 'Eternal Rest', with its imaginatively radiant use of trickling stream and birdsong samples alongside sad, downcast guitar – striking in its magnificence.